Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Barber, ElinoreJ. S. Bach in the Year of the Moon. Bach 1 1 Winter 1970 3-5
2. David, Hans T.The Original Titles of Bachs Works. Bach 1 1 Winter 1970 5-14
3. David, Hans T.Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. Bach 1 1 Winter 1970 15-16
4. Barber, ElinoreRiemenschneider Bach Library Vault Holdings [Part I]. Bach 1 1 Winter 1970 17-18
5. Barber, ElinoreQuestions to The Editor [Part I]. Bach 1 1 Winter 1970 19-22
6. Barber, ElinoreBach Adds a Tempo Mark? Bach 1 2 Apr 1970 3-5
7. David, Hans T.Bach's Problems and Artistic Creed. Bach 1 2 Apr 1970 6-13
8. David, Hans T.Bach Form -- A Letter and Ground-Plan. Bach 1 2 Apr 1970 14-17
9. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings [Part II]. Bach 1 2 Apr 1970 17-20
10. Barber, ElinoreQuestions to the editor [Part II]. Bach 1 2 Apr 1970 21-25
11. Winzenburger, Walter (trans)Translation from Gerber's Historischbiographisches Lexikon der Tonkünstler (1790). [Part I]. Bach 1 2 Apr 1970 26-30
12. Barber, ElinoreButter, Guns, and Bach? Bach 1 3 Jul 1970 3-4
13. David, Hans T.The art of the Fugue. Bach 1 3 Jul 1970 5-21
14. Appel, Richard G.J. S. Bach and the Bay Psalm Book. Bach 1 3 Jul 1970 22-24
15. Barber, ElinoreHans Theodore David: 'A Portrait in Outline'. Bach 1 3 Jul 1970 25-29
16. Winzenburger, Walter (trans)Translation from Gerber's Neues Historisch-biographisches Lexikon der Tonkünstler (1812). [Part II]. Bach 1 3 Jul 1970 30-40
17. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 1 3 Jul 1970 41-44
18. Barber, ElinoreQuestions to the Editor. [Part III]. Bach 1 3 Jul 1970 45-47
19. Barber, ElinoreBeethoven and Bach. Bach 1 4 Oct 1970 4-5
20. Barber, ElinoreBeethoven on Bach. Excerpts from Letters. Bach 1 4 Oct 1970 6-8
21. Herz, GerhardToward a New Image of Bach. [Part I.] Bach 1 4 Oct 1970 9-27
22. David, Hans T.Structures of Some Composite Works of the Seventeenth and Eighteenth Centuries. Bach 1 4 Oct 1970 28-30
23. David, Hans T.Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. Bach 1 4 Oct 1970 31-32
24. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 1 4 Oct 1970 33-34
25. Barber, ElinoreQuestions to the Editor. [Part IV.] Bach 1 4 Oct 1970 35-40
26. Winzenburger, Walter (trans.)Translation from Die wahren Grundsätze zum Gebrauch der Harmonie Johann Philipp Kirnberger, 1773 [excerpts]. Bach 1 4 Oct 1970 41-46
27. Barber, ElinoreBach's Portrait in Gerber's Lexicon. Bach 2 1 Jan 1971 3-6
28. Herz, GerhardToward a New Image of Bach. Part II. Bach 2 1 Jan 1971 7-28
29. David, Hans T.Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. Bach 2 1 Jan 1971 29-32
30. David, Hans T.Litterae ab musicis. [Letter to Alfred Einstein] Bach 2 1 Jan 1971 33-34
31. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library vault holdings. Bach 2 1 Jan 1971 35-37
32. Barber, ElinoreQuestions to the Editor. Bach 2 1 Jan 1971 38-41
33. Winzenburger, WalterTranslation from Die Kunst des reinen Satzes in der Musik (Johann Philip Kirnberger, 1779) [excerpts]. Bach 2 1 Jan 1971 42-46
34. Barber, ElinoreBach and the B-A-C-H Motive. Bach 2 2 Apr 1971 3-5
35. David, Hans T.Hebrew Letters in Polyphonic Settings by Christian Composers. Bach 2 2 Apr 1971 6-17
36. David, Hans T.Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. Bach 2 2 Apr 1971 18-19
37. Schweitzer, AlbertLitterae ab musicis. Bach 2 2 Apr 1971 20-21
38. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 2 2 Apr 1971 22-23
39. Barber, ElinoreQuestions to the Editor. Bach 2 2 Apr 1971 24-26
40. David, Hans T.What every graduate student should know. Bach 2 2 Apr 1971 27-30
41. Winzenburger, WalterTranslation from 'Die Kunst des reinen Satzes in der Musik': Part II (Johann Philip Kirnberger, 1779) [excerpts]. Bach 2 2 Apr 1971 31-34
42. Barber, ElinoreJ. S. Bach and The Critics. Bach 2 3 Jul 1971 4-6
43. David, Hans T.The Six-Four Chord Without Theory: An 'Unofficial' History. Bach 2 3 Jul 1971 7-14
44. David, Hans T.Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. Bach 2 3 Jul 1971 15-16
45. David, Hans T.Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. Bach 2 3 Jul 1971 17-20
46. Winzenburger, Janet; Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 2 3 Jul 1971 21-24
47. Barber, ElinoreQuestions to the Editor. Bach 2 3 Jul 1971 25-27
48. David, Hans T.Music History - A Teaching, Learning, Performing Experience. Bach 2 3 Jul 1971 28-32
49. Winzenburger, WalterTranslation from 'Der vollkommene Capellmeister'. Johann Mattheson, 1739. Bach 2 3 Jul 1971 33-36
50. David, Hans T.The Six-Four Chord Without Theory: An 'Unofficial' History, Part II. Bach 2 4 Oct 1971 3-9
51. Herford, JuliusBach's Models of 'Good Inventiones'. [Part I]. Bach 2 4 Oct 1971 10-14
52. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales. Bach 2 4 Oct 1971 15-17
53. Krenek, ErnstParvula Corona Musicalis. Bach 2 4 Oct 1971 18-31
54. Barber, ElinoreQuestions to the Editor. Bach 2 4 Oct 1971 32-35
55. Leaver, Robin A.Further Thoughts on B-A-C-H. Bach 2 4 Oct 1971 36-37
56. Winzenburger, WalterTranslation from 'Der vollkommene Capellmeister' by Johann Mattheson (1763 [sic]). Chapter 13: Categories and Characteristics of Melodies. Bach 2 4 Oct 1971 38-41
57. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. Bach 3 1 Jan 1972 3-12
58. Winzenburger, Walter P.Meter and Tempo Indications in Music of the Early Baroque. Bach 3 1 Jan 1972 13-21
59. Spitta, PhilippLitterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] Bach 3 1 Jan 1972 22-26
60. Herford, JuliusBach's Models of 'Good Inventiones'. Part II. Bach 3 1 Jan 1972 27-30
61. Winzenburger, Janet; Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 3 1 Jan 1972 31-34
62. Rudolf, MaxStorm and Stress in Music, Part I. Bach 3 2 Apr 1972 3-13
63. Mulbury, DavidBach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] Bach 3 2 Apr 1972 14-27
64. Herford, JuliusBach's Models of 'Good Inventiones'. Part III. Bach 3 2 Apr 1972 28-30
65. Dupré, MarcelLitterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. Bach 3 2 Apr 1972 31-32
66. Kochevitsky, George A.Performing Bach's Keyboard Music -- The Choice of an Instrument. Bach 3 2 Apr 1972 33-37
67. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. Bach 3 2 Apr 1972 38-39
68. Babitz, SolTo the editor of Bach. Bach 3 2 Apr 1972 40-43
69. Rudolf, MaxStorm and Stress in Music, Part II. Bach 3 3 Jul 1972 3-11
70. Mulbury, DavidBach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. Bach 3 3 Jul 1972 12-20
71. Krenek, ErnstPostscript to the 'Parvula Corona' Bach 3 3 Jul 1972 21-26
72. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part I. Bach 3 3 Jul 1972 27-39
73. Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 3 3 Jul 1972 40-42
74. Babitz, SolTo the Editor of BACH. Bach 3 3 Jul 1972 43-44
75. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part II. Bach 3 4 Oct 1972 3-7
76. Rudolf, MaxStorm and Stress in Music, Part III. Bach 3 4 Oct 1972 8-16
77. Mulbury, DavidBach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. Bach 3 4 Oct 1972 17-24
78. Schweitzer, AlbertAlbert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. Bach 3 4 Oct 1972 25-27
79. Kochevitsky, George A.Performing Bach's Keyboard Music -- Phrasing. Bach 3 4 Oct 1972 28-32
80. Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 3 4 Oct 1972 43-44
81. Harmon, ThomasThe Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration. Bach 4 1 Jan 1973 3-15
82. Herford, JuliusBach's Models of 'Good Inventiones' -- How to Develop the Same Well. Bach 4 1 Jan 1973 16-20
83. Kochevitsky, George A.Performing Bach's Keyboard Music: Articulation. Bach 4 1 Jan 1973 21-25
84. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Bach 4 1 Jan 1973 26-38
85. Kilgore, EdnaTime Signatures of the Well-Tempered Clavier: Their Place in Notational History. Bach 4 2 Apr 1973 3-16
86. Herford, JuliusThe C-Major and C-Minor Preludes of the Well-tempered Clavier, Book 1. Bach 4 2 Apr 1973 17-21
87. Kochevitsky, George A.Performing Bach's Keyboard Music: Tempo. Bach 4 2 Apr 1973 22-24
88. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Bach 4 2 Apr 1973 25-39
89. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. Bach 4 3 Jul 1973 3-8
90. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 4 3 Jul 1973 8-12
91. Pisk, Paul A.Bach in Our Time. Bach 4 3 Jul 1973 13-17
92. Hirsch, ArturJohann Sebastian Bach's Cantatas in Chronological Order. Bach 4 3 Jul 1973 18-35
93. Herford, JuliusJ. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. Bach 4 3 Jul 1973 36-40
94. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. [I] Bach 4 4 Oct 1973 3-17
95. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. [I] Bach 4 4 Oct 1973 18-26
96. Kochevitsky, George A.Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. Bach 4 4 Oct 1973 27-35
97. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. Part II. Bach 5 1 Jan 1974 3-8
98. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part II: The Sermon. Bach 5 1 Jan 1974 9-22
99. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part I. Bach 5 1 Jan 1974 23-32
100. Jenne, NatalieBach's Use of Dance Rhythms in Fugues: Part III. Bach 5 2 Apr 1974 3-21
101. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part II: The Sermon (Conclusion). Bach 5 2 Apr 1974 27-35
102. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Bach 5 2 Apr 1974 36-49
103. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part III. Bach 5 3 Jul 1974 3-12
104. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part III: The Biographical Section. Bach 5 3 Jul 1974 13-20
105. Schenkman, WalterRhythmic Patterns of the Baroque -- Part I. Bach 5 3 Jul 1974 21-28
106. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I Bach 5 3 Jul 1974 37-40
107. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. Bach 5 4 Oct 1974 3-8
108. Schenkman, WalterRhythmic Patterns of the Baroque -- Part II. Bach 5 4 Oct 1974 9-17
109. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). Bach 5 4 Oct 1974 25-30
110. Leaver, Robin A.The Libretto of Bach's Cantata No. 79: A Conjecture. Bach 6 1 Jan 1975 3-11
111. Radice, Mark A.An Inventory of Bach's Musical Offering. Bach 6 1 Jan 1975 12-16
112. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Bach 6 1 Jan 1975 24-35
113. Noehren, RobertNotes on Bach and the Organ of his Time. Bach 6 2 Apr 1975 3-14
114. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. Bach 6 2 Apr 1975 27-40
115. Schenkman, WalterThe Establishment of Tempo in Bach's Goldberg Variations. Bach 6 3 Jul 1975 3-10
116. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. Bach 6 3 Jul 1975 11-19
117. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. Bach 6 3 Jul 1975 20-35
118. Leaver, Robin A.Bach's Understanding and Use of the Epistles and Gospels of the Church Year. Bach 6 4 Oct 1975 4-13
119. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. Bach 6 4 Oct 1975 14-19
120. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. Bach 6 4 Oct 1975 23-29
121. Kochevitsky, George A.Performing Bach's Keyboard Music: Dynamics. A Postscript. Bach 7 1 Jan 1976 3-11
122. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music. Bach 7 1 Jan 1976 12-19
123. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. Bach 7 1 Jan 1976 27-32
124. Ganz, BeatriceProblems of Articulation in Baroque Keyboard Music (At the Piano or Organ). Bach 7 2 Apr 1976 3-13
125. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music -- Part II. Bach 7 2 Apr 1976 14-22
126. Posell, JacquesA Philatelic Visit with J. S. Bach. Bach 7 2 Apr 1976 23-28
127. Schenkman, WalterThe Influence of Hexachordal Thinking in the Organization of Bach's Fugue Subjects. Bach 7 3 Jul 1976 7-16
128. Leaver, Robin A.Number Associations in the Structure of Bach's Credo, BWV 232. Bach 7 3 Jul 1976 17-24
129. Leaver, Robin A.The Calov Bible from Bach's Library. Bach 7 4 Oct 1976 16-22
130. Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. Bach 8 1 Jan 1977 3-11
131. Kochevitsky, George A.More on Articulation in J. S. Bach's Keyboard Music. Bach 8 1 Jan 1977 25-29
132. Hochreither, KarlSome Reflections on the Performance of Bach's Vocal-Instrumental Works. Bach 8 2 Apr 1977 2-14
133. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations. Bach 8 2 Apr 1977 15-22
134. Pisk, Paul A.A New Look at the 'Great 48'. Bach 8 2 Apr 1977 23-25
135. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. Bach 8 3 Jul 1977 3-12
136. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'. Bach 8 3 Jul 1977 13-25
137. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part I. Bach 8 3 Jul 1977 26-31
138. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. Bach 8 4 Oct 1977 3-9
139. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande. Bach 8 4 Oct 1977 11-22
140. Schenkman, WalterThree Collections of Keyboard Works by C. P. E. Bach -- Part I. Bach 8 4 Oct 1977 23-36
141. Schenkman, WalterThree Collections of Keyboard Works by C. P. E. Bach -- Part II. Bach 9 1 Jan 1978 2-14, 23-25
142. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia. Bach 9 1 Jan 1978 15-22
143. Smith, Mark M.A Deceptive Edition of the Bach 'Cello Suites. Bach 9 1 Jan 1978 26-29
144. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II. Bach 9 1 Jan 1978 30-36
145. Joseph, Charles M.Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830. Bach 9 2 Apr 1978 2-16, 25-27
146. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half]. Bach 9 2 Apr 1978 17-24
147. Leaver, Robin A.The Valuation of Bach's Library. Bach 9 2 Apr 1978 28-32
148. Goldstein, MichaelIn Tokyo: A Little-Known Bach Autograph. [BWV 1006a] Bach 9 2 Apr 1978 33-36
149. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III. Bach 9 2 Apr 1978 37-39
150. Harriss, Ernest C.J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. Bach 9 3 Jul 1978 2-8
151. Leaver, Robin A.Bach and Luther. Bach 9 3 Jul 1978 9-12; 25-32
152. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. Bach 9 3 Jul 1978 13-24
153. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part I. Bach 9 4 Oct 1978 2-10
154. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV. Bach 9 4 Oct 1978 11-22
155. Herz, GerhardA Bach Signature in the Possession of Gerhard Herz. Bach 9 4 Oct 1978 23-24
156. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part II. Bach 10 1 Jan 1979 3-12
157. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V. Bach 10 1 Jan 1979 13-25
158. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part III. Bach 10 2 Apr 1979 2-8
159. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue. Bach 10 2 Apr 1979 9-12
160. Jenne, NatalieOn the Performance of Keyboard Allemandes. Bach 10 2 Apr 1979 13-30
161. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata. Bach 10 3 Jul 1979 32-39
162. Kellner, Herbert AntonA Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Bach 10 4 Oct 1979 2-8
163. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue. Bach 10 4 Oct 1979 9-18
164. Benedum, RichardStructure and Symbolism in Bach's Prelude and Fugue in E-flat, BWV 552. Bach 10 4 Oct 1979 19-24
165. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988. Bach 11 1 Jan 1980 2-40
166. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part I. Bach 11 2 Apr 1980 2-20
167. Boer, Bertil Herman van Jr.Observations on Bach's Use of the Horn. Bach 11 2 Apr 1980 21-28
168. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I. Bach 11 2 Apr 1980 29-36
169. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part II. Bach 11 3 Jul 1980 2-8
170. Boer, Bertil H. van, Jr.Observations on Bach's Use of the Horn. Bach 11 3 Jul 1980 9-23
171. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6. Bach 11 3 Jul 1980 24-31
172. Ambrose, JaneThe Bach Flute Sonatas: Recent Research and a Performer's Observations. Bach 11 3 Jul 1980 32-45
173. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part III. Bach 11 4 Oct 1980 3-7
174. Morgan, Wesley K.Bach's Singet dem Herrn ein neues Lied: an Old Problem. Bach 11 4 Oct 1980 8-23
175. Rimbach, EvangelineThe Magnificat of Johann Kuhnau. Bach 11 4 Oct 1980 24-31
176. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752). Bach 11 4 Oct 1980 32-36
177. Morgan, Wesley K.Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II. Bach 12 1 Jan 1981 2-12
178. Espinosa, AlmaMore on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. Bach 12 1 Jan 1981 13-22
179. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II. Bach 12 1 Jan 1981 30-35
180. Braunlich, HelmutJohann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. Bach 12 2 Apr 1981 2-10
181. Sevier, Zay DavidBach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1. Bach 12 2 Apr 1981 11-19
182. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV. Bach 12 2 Apr 1981 20-27
183. Heinrich, AdelA Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. Bach 12 2 Apr 1981 28-40
184. Schenkman, WalterTheory and Practice: Mattheson's Differing Key Arrangements, Part I. Bach 12 3 Jul 1981 2-10
185. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] Bach 12 3 Jul 1981 11-20
186. Sevier, Zay DavidBach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2. Bach 12 3 Jul 1981 21-29
187. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI. Bach 12 3 Jul 1981 30-36
188. Schenkman, WalterTheory and Practice: Mattheson's Differing Key Arrangements, Part II. Bach 12 4 Oct 1981 3-9
189. Schenkman, WalterJohann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I. Bach 12 4 Oct 1981 10-16
190. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. Bach 12 4 Oct 1981 17-21
191. Lenneberg, HansBach, Handel, and Relative Success, Part I. Bach 12 4 Oct 1981 22-27
192. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII. Bach 12 4 Oct 1981 28-35
193. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion. Bach 13 1 Jan 1982 2-44
194. Robison, John O.The Lost Oboe Works of J. S. Bach. Bach 13 2 Apr 1982 2-5
195. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
196. Lenneberg, HansBach, Handel, and Relative Success, Part II. Bach 13 2 Apr 1982 17-22
197. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. Bach 13 2 Apr 1982 23-27
198. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite) Bach 13 2 Apr 1982 29-36
199. Robison, John O.The Lost Oboe Works of J. S. Bach, Part II. Bach 13 3 Jul 1982 3-11
200. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
201. Ambrose, Z. PhilipAnother Lament in Weinen, Klagen, Sorgen, Zagen. Bach 13 3 Jul 1982 20-22
202. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue. Bach 13 3 Jul 1982 23-34
203. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. Bach 13 4 Oct 1982 2-7
204. Dürr, AlfredZur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, I. Bach 13 4 Oct 1982 8-13
205. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811. Bach 13 4 Oct 1982 14-29
206. Robison, John O.The Lost Oboe Works of J. S. Bach, Part III. Bach 13 4 Oct 1982 30-35
207. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. Bach 14 1 Jan 1983 2-11
208. Dürr, AlfredZur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, II. Bach 14 1 Jan 1983 12-21
209. Robison, John O.The Lost Oboe Works of J. S. Bach, Part IV. Bach 14 1 Jan 1983 22-28
210. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 1 Jan 1983 29-39
211. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 2 Apr 1983 3-60
212. Fairleigh, James P.Italian Prototypes of the Baroque Ritornello. Bach 14 3 Jul 1983 2-11
213. Bolduan, Miriam F.The Significance of the Viola Pomposa in the Bach Cantatas. Bach 14 3 Jul 1983 12-17
214. Robison, John O.The Lost Oboe Works of J. S. Bach, Part V. Bach 14 3 Jul 1983 18-28
215. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier. Bach 14 3 Jul 1983 31-44
216. Flindell, E. FrederickApropos Bach's Inventions [Part I] Bach 14 4 Oct 1983 3-14
217. Unmack, Susan; Hartwell, RobertBaroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre. Bach 14 4 Oct 1983 15-24
218. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 14 4 Oct 1983 25-35
219. Flindell, E. FrederickApropos Bach's Inventions, Part II. Bach 15 1 Jan 1984 3-16
220. Cowart, GeorgiaSymbolic Correspondence in the Duets of Bach's Mass in B Minor, Part I. Bach 15 1 Jan 1984 17-24
221. Barber, Elinore[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] Bach 15 1 Jan 1984 28-34
222. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 1 Jan 1984 36-43
223. Flindell, E. FrederickApropos Bach's Inventions, Part III. Bach 15 2 Apr 1984 3-17
224. Cowart, GeorgiaSymbolic Correspondence in the Duets of Bach's Mass in B Minor, Part II. Bach 15 2 Apr 1984 18-25
225. Shatzkin, MertonThematic Anticipations in Bach. Bach 15 2 Apr 1984 26-34
226. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 2 Apr 1984 35-44
227. Trautmann, ChristophBach's Clavierübung: III. Bach 15 3 Jul 1984 3-11
228. Shatzkin, MertonThematic Anticipations in Bach, Part II. Bach 15 3 Jul 1984 12-23
229. Heinrich, AdelSignificance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge. Bach 15 3 Jul 1984 24-32
230. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 3 Jul 1984 33-36
231. White, H. M.Canon in the Baroque Era: Some Precedents for the Musical Offering. Bach 15 4 Oct 1984 4-15
232. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 4 Oct 1984 37-52
233. Mann, AlfredMissa Brevis and Historia: Bach's A-Major Mass. Bach 16 1 Jan 1985 6-11
234. Herz, GerhardToward a New Image of Bach. Bach 16 1 Jan 1985 12-52
235. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. Bach 16 1 Jan 1985 53-58
236. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. Bach 16 1 Jan 1985 59-68
237. Noehren, RobertNotes on Bach and the organ of his Time. Bach 16 1 Jan 1985 69-80
238. Rilling, HelmuthBach's Significance. Bach 16 3 Jul 1985 2-16
239. Brokaw, James A., IIRecent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II. Bach 16 3 Jul 1985 17-35
240. Ebert, Robert R.Thalers, Patrons, and commerce -- A Glimpse at the Economy in the Times of J. S. Bach. Bach 16 3 Jul 1985 37-54
241. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. Bach 16 4 Oct 1985 4-8
242. Radice, Mark A.Heinrich Schütz and the Foundations of the Stile Recitativo in Germany. Bach 16 4 Oct 1985 9-23
243. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 16 4 Oct 1985 24-31
244. Leaver, Robin A.Schütz and the Psalms. Bach 16 4 Oct 1985 34-48
245. Schenbeck, LawrenceTempo and Rhythm in Bach's Cantata Ouvertures. Bach 17 1 Jan 1986 3-17
246. Payne, Thomas B.Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. Bach 17 1 Jan 1986 18-35
247. Linton, MichaelBach, Luther, and the Magnificat. Bach 17 2 Apr 1986 3-15
248. Smith, Timothy A.More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. Bach 17 2 Apr 1986 24-30
249. Collins, TimothyObservations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Bach 17 2 Apr 1986 31-45
250. Ambrose, JaneNotations on Mattheson's Der Brauchbare Virtuoso. Bach 17 3 Jul 1986 3-9
251. Konecni, Vladimir J.; [Koneèni]Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. Bach 17 3 Jul 1986 10-21
252. Bostrom, Kerry L.The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. Bach 17 3 Jul 1986 22-32
253. Konecni, Vladimir J.; [Koneèni]Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. Bach 17 4 Oct 1986 3-16
254. Stinson, RussellBach's Tercentenary Issues of Periodicals: A Selected Bibliography. Bach 17 4 Oct 1986 17-23
255. Barber, ElinoreBach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) Bach 17 4 Oct 1986 24-29
256. Heinrich, AdelHeretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. Bach 17 4 Oct 1986 30-41
257. Benitez, Vincent P.Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. Bach 18 1 Jan 1987 3-21
258. Stinson, RussellAn Introduction to Beiträge zur Bachforschung. Bach 18 1 Jan 1987 22-24
259. Barber, ElinoreRiemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I. Bach 18 1 Jan 1987 25-36
260. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes. Bach 18 2 Apr 1987 4-35
261. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 2 Apr 1987 37-63
262. Radice, Mark A.Johann Mattheson and the Stylus Narrativus. Bach 18 3 Jul 1987 3-9
263. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 3 Jul 1987 11-37
264. Johnson, PaulTempo Relation in a Class of Keyboard Compositions from Sweelinck to Bach. Bach 18 4 Oct 1987 4-28
265. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 4 Oct 1987 29-54
266. Wolff, ChristophMusical Forms and Dramatic Structure in Bach's St. Matthew Passion. Bach 19 1 1988 6-20
267. Schildkret, DavidToward a Correct Performance of Fermatas in Bach's Chorales. Bach 19 1 1988 21-27
268. Ebert, Robert R.A Comparison of the Prices of Organs in Bach's Time and the 1980's. Bach 19 1 1988 28-45
269. Getz, Christine SuzanneA Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. Bach 19 2 1988 3-24
270. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 19 2 1988 25-56
271. Collins, Timothy A.Gottfried Reiche: A More Complete Biography. Bach 19 3 Fall 1988 4-18
272. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser) Bach 19 3 Fall 1988 19-74
273. Schulze, Hans-JoachimThe Parody Process in Bach's Music: An Old Problem Reconsidered. Bach 20 1 Spring 1989 7-21
274. Cox, Howard H.Bach's Conception of His Office. Bach 20 1 Spring 1989 22-30
275. Whaples, Miriam K.Bach's Earliest Arias. Bach 20 1 Spring 1989 31-54
276. Wolff, ChristophBach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. Bach 20 1 Spring 1989 55-64
277. Butler, Gregory G.J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20 2 Summer 1989 4-37
278. Snyder, Kerala J.To Lübeck in the Steps of J. S. Bach. Bach 20 2 Summer 1989 38-48
279. Dadelsen, Georg vonFriedrich Smend's Edition of the B-minor Mass by J. S. Bach. Bach 20 2 Summer 1989 49-74
280. Mann, AlfredA Document from the Hand of Arthur Mendel: Introduction and Commentary. Bach 20 3 Fall 1989 4-5(-14)
281. Mendel, ArthurPersönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') Bach 20 3 Fall 1989 6-14
282. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20 3 Fall 1989 15-33
283. Leaver, Robin A.The Revival of the St. John Passion: History and Performance Practice. Bach 20 3 Fall 1989 34-49
284. Herz, GerhardYoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text. Bach 21 1 Spring 1990 3-25
285. Schulze, Hans-JoachimBach's Secular Cantatas - A New Look at the Sources. Bach 21 1 Spring 1990 26-41
286. Faulkner, QuentinJacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. Bach 21 1 Spring 1990 42-59
287. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21 2 Summer 1990 3-14
288. David, Hans T.Deceptive Performance Traditions. (1926) Bach 21 2 Summer 1990 15-22
289. David, Hans T.Trugerische Aufführungstraditionen. [Original Text] Bach 21 2 Summer 1990 23-30
290. Eller, RudolfThoughts on Bach's Leipzig Creative Years. Bach 21 2 Summer 1990 31-54
291. Herz, GerhardThe Story behind Alfred Dürr's 'Capriccio'. Bach 21 3 Winter 1990 4-8
292. Morana, FrankThe Presto in D minor, BWV 970: Its Authorship Reconsidered. Bach 21 3 Winter 1990 9-29
293. Leaver, Robin A.Parody and Theological Consistency: Notes on Bach's A-Major Mass. Bach 21 3 Winter 1990 30-43
294. Franklin, Don O.The Carnegie Manuscript and J. S. Bach. Bach 22 1 Spring-Summer 1991 5-15
295. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
296. Kroeger, KarlJohann Sebastian Bach in Nineteenth-Century America. Bach 22 1 Spring-Summer 1991 33-42
297. Buelow, George J.A Bach Borrowing by Gluck: Another Frontier. Bach 22 1 Spring-Summer 1991 43-61
298. Siegele, Ulrich'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. Bach 22 2 Fall-Winter 1991 5-12
299. Morana, FrankThe lost dedication copy of Partita 1: Bach as Poet? Bach 22 2 Fall-Winter 1991 13-23
300. Leaver, Robin A.New Light on the Pre-History of The Bach Choir of Bethlehem. Bach 22 2 Fall-Winter 1991 24-34
301. Kordes, GesaSelf-Parody and the 'Hunting-Cantata,' BWV 208 - An Aspect of Bach's Compositional Process. Bach 22 2 Fall-Winter 1991 35-57
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